Prickly and Grey, 2021

Despite Collection 2023

creatorStatus = approvedfirst
creatorId = 407
Michelle Dugan
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Prickly and Grey

Despite Collection 2023

Prickly and Grey is a feeling I had on the T one spring afternoon while I was studying in Boston. It was an exceptionally beautiful sunny day for that time of year; the Commons was green and people were out and cheerful but I felt Prickly and Grey as I went down and road the T. I realized this was a feeling I had felt before - in times when I was claustrophobic; when I was feeling a heavy weight on my shoulders; when I was in uncomfortable, almost squirmish environments. It is a feeling I contemplated a lot while creating this piece, and one that I feel the painting now emits. Why do we feel this way - off, heavy, itchy - when the world around us is a sunny Spring day in Boston?

At the center of this piece is a small blue embryo; starting his own palette within a messy complexion - an environment already self serving - and yet here he comes bringing his own world despite the circumstances.

* This creation has an inner frame

Michelle Dugan

Specialization/Major

Art & Design

Graduation Year

2023

Location

United States

About

Michelle is a multidisciplinary artist based in New York City. She received her BFA from Boston University’s College of Fine Arts, and is currently pursuing her masters at SCAD. She dabbles in digital design, photography, mixed media as well as traditional studio practices in oil painting and mixed media painting.

Imperial
Metric

Measurements (Width X Height X Depth)

36 X 48 X 1.5 in

91.44 X 121.92 X 3.81 Cm

Weight

6 lb

2.72 Kg

Materials

Oil and acrylic paint, charcoal, oil pastel on canvas

The original sketch is from a live model session, and was created in 2017 while completing my BFA in Boston.

I was drawn back to the sketch due to the models powerful stance - power I found interesting since the model is posed in what appears to be a vulnerable moment, weak and falling under some invisible pressure. However, the composition and body positioning always made me think of its muscles and strength: with his hard back protecting him like a shell. I revisited the piece in the summer of 2020 and the painting was completed by August.

At first, visually depicting this feeling I describe posed many considerations and challenges. But once I was able to clear all those questions and thoughts and move around the canvas as I viscerally saw fit the piece began to open up before me.

Mixed media also plays an important role to the piece as I believe it provides a texture and grain that cannot be achieved in one solution. I worked in this way for much of my process throughout the pandemic and found it to be very fulfilling - no perfect clean lines, the more messy and layered I got the better release I felt.
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